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The Impacts of the Nazi Olympics

The Impacts of the Nazi Olympics

This paper seeks to discuss the events and impact of the Olympic Games held in Germany in 1936, well known as the Nazi Olympics. In 1931, the International Olympic Committee (IOC) awarded the 1936 Summer Olympics to Berlin (Germany). The option signaled Germany’s come back to the world community following its isolation in the after effects of defeat in the WW1 (World War I). For a period of two weeks in August 1936, Nazi dictator, Adolf Hitler, camouflaged its racialist militaristic nature, while hosting the Olympics (Krüger 24). Soft-pedaling its anti-Semitic plan and strategies for territorial extension, the regime subjugated the Games to bedazzle a lot of foreign viewers and reporters with a picture of a peaceful, tolerant Germany. The Nazis completed elaborate arrangements for the August 1–16 Summer Olympics Games. A vast sports complex was built and swastikas and Olympic flags bedecked the memorials and houses of a celebratory, packed Berlin. On the due date, Hitler launched the XIth Olympiad. Musical displays directed by the celebrated composer Richard Strauss proclaimed the dictator’s advent to the large German multitude. The Nazi claimed to manage all perspectives of German life, also comprehensive to sports. German sports descriptions of the 1930s acted to promote the legend of “Aryan” racial advantage and physical proficiency. German was given an opportunity to host the Olympic Games of 1936 in a showdown vote alongside Barcelona in 1931 (United States Holocaust Memorial Museum 1-2). Lewald had duly overcome the IOC, when it had converged in Berlin in 1930, and had employed his far-reaching associations to influence IOC members; thus, making Germany scoop the host chance. At the time, the German Olympic movement was decisively in the powers of representatives of the bourgeois games association, most notably Lewald and Diem (Krüger 24). Germans developed the two key strategies in conjunction with the Olympic sports that are to guarantee propaganda within Germany, and to crack the cultural segregation of the Reich’s administration by propaganda abroad.

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As the Germans got ready for the 1936 Berlin Olympics (mainly referred to as Nazi Olympics), National Socialist sports managers, and, in fact, the broader part of the nation, succumbed to an ancient German temptation (Mandell 1). They searched and discovered parallels between German culture and ancient Greek customs. As athletics had remained an integral component of classical Greek custom, the Nazis discovered that athletics had to act as a large responsibility in the creative enthusiasm they were directing. Cultural orientation is one of the impacts that the Nazi Olympics brought to Germans during that time (Mandell 1). Whether it was a negative impact of positive is a debatable subject that this paper will not discuss. Germany competently promoted the Olympics with multihued posters and magazine across the nation. Athletic images drew a connection between ancient Greece and Nazi Germany, signifying the Nazi’s racial fairy story that a superior German culture was the equitable heir of an “Aryan” customs of classical antiquity. This apparition of classical antiquity enforced the ideal “Aryan” racial kinds: gallant, blue-eyed blonds with daintily chiseled characteristics (Krüger 24).

Nazi Olympics’ concerted propaganda efforts that sustained well following the Olympics with the international deliberation of Olympia in 1938, the controversial report directed by the German movie maker and Nazi supporter, Riefenstahl Leni. She was specially made by the Nazi government to produce this movie about the 1936 Olympics. As post-Games documents were reported, Hitler pressed on with grandiose strategies for German development. Maltreatment of the Jews restarted. Two days following Olympics completion, Captain Fuerstner Wolfgang, head of the Olympic community, murdered himself, when he was discharged from the military service due to his Jewish lineage. Germany attacked Poland in 1939 (United States Holocaust Memorial Museum 1-2). Within just 3 years of the Olympics, the “peaceful” and “hospitable” sponsor of the Games contributed to the WWII (World War 2), a conflict that has led to the untold demolition. With the wrapping up of the Games, Germany’s expansionist strategies and the discrimination of Jews and other rivals of the nation accelerated, resulting in the Holocaust (NWO 1-2). The Nazis stood for the German racial domination and militant patriotism, while the Olympics were for the international acquaintance and the brotherhood of states; Jews in Germany were informed that they were undesirables, while Jews from the overseas were to be received as visitors (Mandell 45).

The most adored emblems of the contemporary Olympics have an absolute dark past. The torch communicate that culminates in the traditional illumination of the blaze at Olympic arena was prepared by Adolf Hitler, who attempted to revolve the 1936 Berlin Games into a festivity of the 3rd Reich (Berkes 1-2). It was Hitler’s Nazi propaganda mechanism that popularized the five intertwined rings as the sign of the Olympics Games. The Nazis had knowledge that it was a good propaganda symbol, when they noticed one (NWO 1-2). On July 20, 1936, two weeks prior to the launch of the Berlin Games, fourteen Greek girls and high priestess wearing classical robes converged in the ancient arena of Olympia, and used parabolic reflectors to concentrates the sun’s rays on a baton, until it ruptured into fire (Krüger 24). As a torch was lit, a hymn went up, Oh fire, lit in an antique and blessed place, start the race, followed by a rite where solo of Pindar’s Pythian odes was vocal to primeval instruments. The supposed Olympic flame was then ferried by 3,075 relay athletes from Greece, moved from magnesium torch to torch, until it eventually lit a massive brazier in Berlin sports ground before the Führer’s acknowledging gaze. The revitalized 1936 torch race absolutely fit the Nazi’s propose for the Olympics as a platform for the fresh Germany. With its atmosphere of the ancient religion, the rite connected Nazism to the cultured glories of conventional Greece, which the Reich’s educational were quarrelling had been an Aryan wonderland (Berkes 1-2).

The Olympics instigated in Greece, and the Nazis perceived themselves as successors of the Greek customs, particularly notions of substantial prowess and attractiveness. Hitler suggested that picture at a 1934 Youth Day convention in Nuremberg (NWO 1-2): “In the real sense, the ideal German boy ought to be slim and trim, tough as leather, fast as a greyhound, and as solid as Krupp steel. Krupp steel icon into a Nazi discovery: the Olympic torch conveys”. The long relay with the blaze is now a clip of the sports competition, but the run did not exist prior to 1936 (United States Holocaust Memorial Museum 1-2). It was essentially a non-Nazi, Diem Carl, who thought of this idea oriented on some of his knowledge of Greek record. The Propaganda Ministry beneath Joseph Goebbels contemplated this was a superb way to make the sports competition public (Berkes 1-2). The initial Olympic torch was developed by Krupp, the German steel corporation that made weapons for the Nazis in insolence of the Versailles agreement (NWO 1-2). Then, as currently, the relay involved controversy. The course from Greece, Olympia, to Berlin handled seven nations that would later be engaged by Germany or its associates. Fights started in Vienna among the Nazi sympathizers and enemies. The maps dispersed along the run route erroneously revealed a region of Czechoslovakia as division of Germany (Krüger 24).

During the games, overt confirmation of antagonism was concealed in Berlin. Signs proscribing Jews from the community were departed. Germans had been prearranged to be pleasant to everybody, particularly African-Americans (Berkes 1-2). Black contestants took home narratives about hospitality and warmth of Germany, one sportsperson said that he hadn’t had to sit in the back of the truck. People nowadays memorize the 1936 Olympics for Jesse Owens’ conquests and significant discomfiture for Hitler. However, that was not the way the sports events were interpreted instantly. Instead, the observers accounted that “the Nazis thrived with their misinformation” (Kruger 24).

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In conclusion, Nazi Olympics were held in Germany in 1936. During the games Nazi dictator, Adolf Hitler, camouflaged its racialist, militaristic nature, while hosting the Olympics. Soft-pedaling its antisemitic plan and strategies for territorial extension, the regime subjugated the Games to bedazzle a lot of foreign viewers and reporters with a picture of a peaceful, tolerant Germany. Germans developed the two key strategies in conjunction with the Olympic sports that are to guarantee propaganda within Germany, and to crack the cultural segregation of the Reich’s administration by propaganda abroad. Nazi Olympics concerted propaganda efforts that sustained well following the Olympics with the international deliberation of Olympia in 1938, the controversial report directed by the German movie maker and Nazi supporter, Riefenstahl Leni. German searched and discovered parallels between German culture and ancient Greek customs (Mandell 1). As athletics had remained an integral component of classical Greek custom, the Nazis discovered that athletics had to act as a large responsibility in the creative enthusiasm they were directing. The most adored emblems of the contemporary Olympics have an absolute dark past. The torch communicate that culminates in the traditional illumination of the blaze at Olympic arena was prepared by Adolf Hitler, who attempted to revolve the 1936 Berlin Games into a festivity of the 3rd Reich. It was Hitler’s Nazi propaganda mechanism that popularized the five intertwined rings as the sign of the Olympics Games. The “peaceful” and “hospitable” sponsor of the Games contributed to the WWII and made other negative contributions.

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